Diana.

Later idenfied with Artemis, DIANA [deye-a'na] was worshiped at the Latin town of Aricia, near which is Lake Nemi, called "Diana's mirror."
She was concerned with the life of women and was sometimes identified with Lucina, the birth-goddess more commonly identified with Juno.
Through her idenification with Artemis, she became goddess of the hunt and of the moon, and was further identified with Hecate as an Underworld goddess.
At Aricia she was associated with a minor Italian deity, Virbius, who was identified with Hippolytus, brought to life again by Aesculapius.


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Diana Nemorensis, in  Roman mythology, an old Italian goddess, in later times identified with the Greek Artemis, was the daughter of Jupiter and Latona, twin sister of Apollo, and a goddess of many faces. Goddess of the Moon. The virgin Goddess and protector of women. Goddess of the woodlands, her sanctuaries were commonly in groves, indeed every grove was sacred to her. She was chief hunter to the gods also the goddess of nature, and of the harvest, the guardian of springs and streams and the protector of wild animals. In earlier times, she was the mother Goddess of Nature. She was a goddess of healing powers and perhaps also of oracles. Her main epiclesis was Trivia, literally “of the crossroads”, referring to one of her more sinister sides as a deity of the Underworld. The poet Virgil tells how when Aeneas escaped from Troy to Italy, the Sibyl told him that the only means of entering and returning safely from the underworld was to carry the fruit of the golden bough. In accordance with the cult of the goddess Diana at Nemi, it is likely that the golden bough was an apple - branch.
Diana is associated with the constellation of Ursa Major. She is also associated with fire festivals, her title Vesta, indicates a perpetual holy fire in her sanctuary.  During her annual festival held on August 13th, in the middle of summer, when the sun is at its hottest, she is invoked to protect the harvest from autumn storms

She was especially revered by women, and was believed to grant an easy childbirth to her favourites. Almost countless clay models of the uterus have been found near her shrine, together with the torch, the symbol of midwives and of the Mater Matuta, who in the early hours of the morning opened the uterus and bade the baby come forth.

Diana was regarded with great reverence by lower-class citizens and slaves. Slaves could receive asylum in her temples.
The sanctuary of Nemi at Ariccia remained an important center of goddess veneration under the empire. It welcomed the votaries of Isis. A relief found at the site depicts African women dancing in bliss.
Diana remains an important figure in some modern mythologies. In Freemasonry, she is considered a symbol of imagination, sensibility, and the creative insanity of poets and artists. Those who believe that prehistoric peoples lived in matriarchal societies consider Diana to have originated in a mother goddess worshipped at that time, and she is still worshiped today by women practicing the religion known as Dianic Wicca.

In art she was depicted as a huntress in a long or a short dress with a bow, a spear or a torch, but she is never seen engaged in actual killing.
Her temple at Lake Nemi was in a sacred grove and was guarded by her priest, the Rex Nemorensis, the King of the Wood. Entitled to food, sanctuary and honour, he was always an escaped slave who has slain with his own hand the man previously consecrated to that office (whereupon he becomes the High Priest/Husband/Lover of the Goddess) - until he himself is slain by a more craftier or stronger challenger, a remainder of the Birth, Death, Rebirth cycle of nature; accordingly the priest is always armed with a sword, looking around for the attacks, and ready to defend himself.
The reason for calling the Sanctuary of Diana “barbarian and Scythian” was due to the practice of the ritualized human sacrifice, namely the duel between the reigning priest, the Rex Nemorensis and his challenger.

The Sanctuary of Diana Nemorensis, that is “Diana of the Sacred Grove”, is situated by Lake Nemi in the Alban Hills, just 25 km southeast of Rome.
It was one of Italy’s most important sanctuaries - and certainly one of the largest and richest. Here she was worshipped
side by side with a male deity Virbius, a god of the forest and the chase. This Virbius was subsequently identified with Hippolytus, the favourite of Artemis, who was said to have been brought to life by Aesculapius and conducted by Diana to Ariccia.

The sanctuary was administered by the nearby town of Ariccia. Caesar, who possessed a palatial villa in Diana’s sacred wood by Lake NemI was favourably disposed to the local cult at Nemi.
The lake at Nemi was called the Mirror of Diana, because the reflection of the moon upon Lake Nemi could be perfectly viewed from the temple.  It was fed by the spring of Egeria, who was also worshipped there. Women came to Egeria’s sanctuary to pray for children and easy birth: “Almost countless clay models of the uterus have been found near her shrine, together with the torch, the symbol of midwives and of the Mater Matuta, who in the early hours of the morning opened the uterus and bade the baby come forth.” The sanctuary of Nemi at Aricia remained an important center of goddess veneration under the empire. It welcomed the votaries of Isis. A relief found at the site depicts African women dancing in bliss.



Mappa Tempio Diana

The Sanctuary of Diana by Lake Nemi might have been very old indeed - at least, the ritualized human sacrifice reflected in the duel between the Rex Nemorensis and his challenger might well have had very ancient roots. However, the oldest literary and archaeological sources for cult activity in the sanctuary are no older than 500 BC. The sanctuary was founded as an open-air sanctuary by clearing a sacred space, the lucus, in the woods. It is not until 300 BC that the earliest temple was built. However, its main period of flourishing was in the late Republican period, in the late 2nd century BC, when the sanctuary was completely rebuilt on a grand scale in Hellenistic style on vast artificial terraces and with immense porticoes and probably a new temple.
The Romans could have encountered the representations of a deer-killing eity in either Chersonesos, Delos or in the Pontic Kingdom.
Around 100 BC, three or four iconographically identical statue groups of a deer-killing female deity were created.
With the overthrow of Paganism at the hand of the Christians, magical practices and Dianic cults such as that of the King of the Woods at Nemi were outlawed. Priestesses of Diana took refuge in isolated villages near Lake Nemi and the temple of Diana fell into ruins or the sanctuary was a place of worship until it was destroyed by a natural catastrophe in the second half of the 2nd century AD.

Altare e Colonnato
Tempio di Diana


 

Altare Tempio di Diana


Statua di Diana
nella piazza di Nemi
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